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#Breeze shortcut liveview full
#Breeze shortcut liveview verification

The VS-3 felt on dot with how it represented visual data, and after switching to false color, I don’t want to go back to histogram ever again :) Focus Peaking (called Focus Assist on VS-3 docs)įocus assist is a convenient way to get indication on what objects in the scene are in focus.

#Breeze shortcut liveview verification

This allows for a very quick verification of exposure and quick identification of badly exposed elements. Or you know that blacks has to show blue on the monitor. If you have a grey card on set, you know that it has to show yellow when it is correctly exposed. This takes a lot of the “art” found in exposure compensation for bright or dark color. In false color more, the scene changes to reflect not what you see, but what luminosity levels (also called IREs) are present in the scene. (Zebra lines are very similar to that blinking patterns you get on the LCD when you over expose). While you are probably familiar with histogram and Zebra lines from stills False Color is significantly more convenient than either. Those are three features that help you nail your exposure, and all performed wonderfully on the VS-3. I am not going to review all the features but only the ones that I find most useful for my work process. FeaturesĪs I said before, the VS-3 comes pretty packed for a >$400 monitor. While it is not a technical feature, it definitely signals some seriousness about quality. Also, note that they are providing 24 months Manufacturer Warranty. I do not have the tools to measure color accuracy, but Aputure claims that they are 100% on spot. Multiple video inputs, including HDMI loopthru Built in speaker & headphone jack Operates on Sony NP-F style battery or AC power.

#Breeze shortcut liveview full

Full suite of on-screen scopes for focus, histogram, & exposure assist Real-time VU meter for monitoring audio levels User configurable shortcut buttons.

Multi-coated anti-reflection coating, Wide viewing angle + included sunshade.

7″ 1024 x 600 display with 800:1 contrast ratio – supports input resolutions up to 1920 x 1080.

In terms of specs, the VS-3 comes with some big boys features: We hooked it up.Īnd this is where we started with Aputure’s ‘ VS-3. Most monitors connect to the HDMI port of the camera, replacing it’s live view and so does this one (box includes a 90 deg HDMI cable). Some monitor (VS-3 included) actually enhance the power of the LCD by providing some extra features, like live histogram, false color, focus peaking and even audio levels. Aside from having a bigger screen, it does not have to go on the back of your camera, making it easier to use for some applications (like on a Slider or a Jib).īut a field monitor can provide more that just bigger display (which in itself can prove to be valuable). One way to think about a filed monitor is to think LCD on steroids. It is a sub $400 monitor that pact some serious punch and we are quite happy with it. As we make more and more videos, our need for a field monitor grew and we finally got Aputure’s VS-3 7″ field monitor.